Commercial Photographer's Master Lighting Guide: Food, by Robert Morrissey

By Robert Morrissey

Advertisement photographs are robust, expertly lit images that command the audience recognition and speak whatever in regards to the services or products that grabs and holds the audience cognizance. during this ebook, Robert Morrissey introduces reader to the instruments of the alternate. Readers will easy methods to decide on and place lighting for a wide selection of jobs - from huge items like vehicles to small, extra tricky gadgets like jewelry. With the fundamentals lined, the consultant is dedicated to the construction of over forty photographs, made for genuine assignments.

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Extra resources for Commercial Photographer's Master Lighting Guide: Food, Architectural Interiors, Clothing, Jewelry, More

Sample text

The white Formica bounce card, however, it falls one side is still brighter. The backdrop acts as a bounce off. The contact point shadow ribs of the ball appear flatter card, filling in the areas of is still strong but has moved but are more visible because the ball that we can see. The forward. The ball’s dimension they are not hidden in shadow. contact point shadow is still and depth have increased, The background is still muted. strong but has moved forward. but there is less definition in The contact point shadow has the ribs.

A strobe fitted with a 20degree honeycomb grid is placed at the back-right corner of the set and aimed at the statue. A second strobe fitted with a 20-degree honeycomb grid is placed at the front-left corner of the set and aimed at the statue. A strobe fitted with a 20degree honeycomb grid is placed at the back-right corner of the set and aimed at the statue. A second strobe fitted with a 20-degree honeycomb grid is placed at the left of the set and aimed at the statue. A strobe fitted with a 20degree honeycomb grid is aimed at the top of the statue from an overhead position.

Panels 35 The panel is at the front-right The panel is in the front-right corner of the set. The strobe is corner of the set. The strobe is corner of the set. The strobe in the bottom left of the panel, in the top right of the panel, at is in the bottom right of the at the P3 position. This would the P4 position. panel, at the P5 position. The panel is in the front-right be a great starting position for the main light. By placing a secondary light, we could better define the back of the ball and create separation.

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